Out of Stock Really, if this film has nothing else going for it, it's entertainment value, and while it could have had more, that isn't too shabby of a thing to have when dealing with a flick of this nature, as keeps things kind of fun, enough so to draw your attention to what more engaging attributes there are to the substance, though perhaps not as much as the cast, which could very well rank among the strongest aspects of the final product. | October 23, 2009 #12 TV Premiere Dates 2020 We won’t be able to verify your ticket today, but it’s great to know for the future.Theater box office or somewhere else 2:32 | #1 All rights reserved. The film is fluffy at times and, well, somewhat heavy at other times, and such a structure doesn't consistently work, resulting in yet more inconsistency, in this case with tone, which would perhpas be messier if this film wasn't rather unfortunately consistent with having some form of cheesiness. October 23, 2009 Young leading man Chris Massoglia has been gaining a mixed reception, and really, I don't see it, because I thought that he wasn't too shabby in his convincing portrayal of an average young man who finds himself caught in an extraordinary situation, though, to be honest, it's the other players who really liven things up, whether we're dealing with the memorably charming portrayals of the "freaks", or faced with particularly engaging higher-ups in the supporting cast, such as Josh Hutcherson, - who is convincing as a troubled lad who comes to gain the opportunity to do evil deeds for a better life - Michael Cerveris, - who is deliciously effective as the flamboyant antagonist - and a show-stealing John C. Reilly, whose effortlessly thorough charisma and convincingness as a sharply wise, but flawed mentor makes the particularly memorable Larten Crepsley role yet another testament to Reilly's being an underappreciated talent. Unfortunately Weitz can't quite get a handle on what the film should be, despite teaming up with the talented Brian Helgeland on the script. Pacing problems in storytelling also play a part in thinning out depth and kick, particularly when exposition goes hurried along, sometimes so forcibly that the film crowbars in a quick piece of exposition to keep things tight, which is ironic, because when the film is forcing stuff in, it's usually dragging its narrative out with much too much material to keep up with. | Rating: C- | Rating: 2/4 2:38 1:50 2:50


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