The Lady in the Radiator represents Henry's desire to kill his child (hence her stepping on sperm-shaped creatures in one of her appearances) and commit adultery with the Woman Across the Hall. I've seen 2001 a space Odyssey and Synecdoche, New York as well so it's not the only time I've ventured into surrealism.His other films are much more accessible but feature the same style of ideas.Okay good.
Because it is too weird as fuck to put your finger on what exactly it is about that is must automatically be good? Much more compelling than political statements, David Lynch has made a movie that makes us feel inhuman.New comments cannot be posted and votes cannot be castPress J to jump to the feed.
It's preposterous in my opinion and I usually don't like to go against movies with high critical acclaim because maybe it's just me (eg like Fargo but that falls under my earlier points about how it is still a "movie") but Eraserhead garnering all that critical acclaim in retrospect, I'm sorry I just don't understand. Did you get this interpretation by yourself or did you read/watch anything? Press question mark to learn the rest of the keyboard shortcutsCookies help us deliver our Services. Meshes of the Afternoon and Barton Fink fit in the same category, for me, at least.I find it interesting that you mention "unfilmable" novels as well as "unwriteable" films in a post about David Lynch, because I'm currently reading "Dune" for the first time, and that was the first Lynch movie I had ever seen. Also behind the window is the puddle motif seen throughout Eraserhead, of course a reflective pool appears in Twin Peaks' sycamore circle as part of the portal to another dimension, and both Lost Highway and Mulholland Drive have 'primal scenes' that take place next to fancy pools: "Forget you ever saw it.

I need more time to process or my head will explode ajsksjsks I like this idea a lot tbh.It’s very important to Twin Peaks — the image of the radiator flickers in and out of view next to the “teapot” Jeffries device for example. I haven't read any theories connecting Eraserhead to Twin Peaks, but I imagine you can find similar ideas running through all of Lynch's work and it doesn't go beyond that.If you want to understand Twin Peaks, you are not going to find the answers in Eraserhead, I can tell you that. It's his way of expressing his fears and doubts through film. Eraserhead is meant to be interpreted, it is nothing without the viewer's brain power to turn it into something. You could go on about how the movie symbolizes abortion and birth, etc. It seems nearly unknowable, even alien -- truly surreal and liminal. I can definitely understand why this film isn't for everybody.I'm excited for the September blu-ray release of it. And if you watch the film and you feel this way, that's all there is to "get". I do respect what he was trying to do, but it's a watch one and only once experience for me.Initially, yeah but many 21st century reviews are positive and it is also considered culturally significant. Ive heard that it was Kubrick's favorite film and that Coppola showed it to the cast of Apocalypse Now, but... Why is it considered such a masterpiece? But Eraserhead, I would actually advise people strongly not to watch it. The thing about it is that David Lynch really had no knowledge or respect for film conventions when making it. I've always thought of his defining trait as As far as 'getting it' goes, I think the rest of Lynch's work helps decode a lot of his cryptic imagery. That being said, it's not what makes it a masterpiece it is. I was 16 when Eraserhead came out. Eraserhead is the best recreation of nightmares that I've ever seen in a movie. In his dream his deep animal subconscious wishes he had killed bobby as a baby and eraserhead is this dream. It's not like Ed Wood movies that are cult classics because of how bad they were, but they're still considered bad even when watched today.Seriously, it's a circle jerk film for the film snob setNot really. This thread is archived. It disturbs you, challenges beliefs you had, makes you reconsider and awakens you. Now I want to watch it again.What I've written also has nothing concrete to say about what Kubrick and Coppola liked about it. Horrible and conscious of it.I saw it a long time ago, but when I try to recall what it was like to watch it, all I remember is loneliness and dread. Lynch films aren't games that have one definitive meaning. Its very unique. This would fit well with that ideia that the pattern on both floors resemables that of radio waves or alternating current, which is a motif that recurs in many of Lynch's works as well, mainly in Twin Peaks.We are really excited to rewatch Twin Peaks and come up with our own theories and conncections with Lynch's work! I agree - the movie makes very little sense at first. Twin Peaks, on the other hand, frames Sarah Palmer's rage and despair as something to overcome, something that warrants an elaborate plan across timelines and dimensions to reunite a mother and her daughter so they might dig their way out of the darkness.First, I am sorry taking so long to reply this omg I got a flood in my notifications from random things and forgot to come back!I feel quite annoyed at myself for not paying enough attention to Sarah, you know. I think a lot of people have a tendency when they watch movies to try to force the on-screen events into a concrete "plot" when sometimes they are just images. It's best viewed IMO as a freudian, auteur kind of thing - manifestations of Lynch's latent fears and nightmares, namely parenthood, told through images and abstractions against that beautiful soundscape.It's dreamscape, simply put.


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