Was he unworthy to tamper with the sacred light, being a murderer of both men and seabirds?


Pattinson's character (who we'll refer to as Ephraim to make things simple, though even that's a question) is the new tempora… It's probably the same curse he put on the wickie who died before Ephraim.
Could be, although Thomas is a lowly worker just like Ephraim, just one with a semblance of authority. Regardless of how it happened, the guilt from this death seems to weigh on Ephraim to the point of driving him over the edge. He dreams about drowning under logs at the beginning of the movie, and later during his most unhinged moments, he sees flashes of the man killed. We start to question whether he's deliberately pushing Ephraim into insanity after hearing of how his last wickie died. The Lighthouseis a beautiful, baffling, hypnotizing wild ride. , whether you take the supernatural elements literally or not, but the mystery makes a wonderful backdrop to this tale of two people stuck on an island together, having lost all contact with the outside world. MILL VALLEY, CA - OCTOBER 05: Robert Pattinson appears at the 42nd Mill Valley Film Festival - I'm fascinated by all forms of storytelling; movies, television, mythology, fairy tales, and urban legends.Opinions expressed by Forbes Contributors are their own.I write about film, television, pop culture, and other fun stuff. Powered by its own proprietary technology, Mashable is the go-to source for tech, digital culture and entertainment content for its dedicated and influential audience around the globe. That’s the fun of the film, really, the fog that obscures the details. Thomas is like the bestial id giving in to all his basest desires and Ephraim is like the ego, conscientious of social norms and struggling to maintain civility. And they’re both guilty. Or you could view this as a simple story about a man losing his mind and murdering his boss, who was weirdly possessive of his lighthouse lamp. "As Eggers summarizes at the end of the interview, everything he writes is "Jungian-inclined" — meaning he's working with symbols and archetypes that psychoanalyst Carl Jung described as part of the collective unconscious.

"It was pretty explicit in the script. But that doesn't mean there isn't lots to gain from trying. In the scene where Thomas runs at Ephraim with the ax, he tells an alternate version of events where he's actually the crazed ax murderer before then destroying the lifeboat that was his only chance at leaving to tell authorities the real story.Why would Thomas keep killing his assistants? Thomas could've murdered him or driven him to take his own life.William Dafoe's Thomas could drive anyone to insanity

He constantly refers to the lighthouse as she/her, equating her to a better wife than any living woman. It's also just as likely that both Thomas and Ephraim are having a shared delusion. Or maybe it's just some sick game he plays over and over again (until now).If anything can be said to be "obvious" about this movie, it's the undeniable and mounting homoerotic tension between Thomas and Ephraim. But most of it can be chalked up to Ephraim dreaming or fantasizing or being paranoid.Reality only starts going topsy-turvy after the night Thomas gets Ephraim drunk for the first time. "But the two's sexuality, Eggers said, isn't a binary (gay versus not gay). Isolation has done something to these character’s minds - both are deeply unreliable narrators.and discussing what “really” happened is, I think, the most enjoyable part of this surreal storySometimes, like seabirds, it’s best to let ambiguity remain. It illuminates a face filled with mad relief, joy, and exhilaration — like Ephraim finally found the answer to all the existential uncertainty he's faced on the rock.On the subject of the final sequence, man's hubris, and light, Known as the champion of humanity, Prometheus created man from clay and also defied Zeus by stealing fire from the gods to gift it to humanity. The most important part of this film was the relationship between the two men; watching their dynamic shift, before turning completely on its head, and their true personalities start to reveal themselves, was incredibly compelling. Thomas isn't just the perfect archetype of an old seafaring man; he also makes that uncannily accurate prediction for how Ephraim will die at the end of the movie. Like Prometheus, Ephraim tried to steal something sacred, and was cruelly punished.An interesting question might be, was Thomas right about Ephraim? Personally, I think the best way to view the film is somewhere in-between; we’re never quite sure how much of Ephraim’s worldview is accurate. Ephraim finds the previous wickie's decapitated head in a fishing net, so Thomas is now faced with a witness to his crime. Was Thomas even real, or are the two men two halves of the same psyche, unable to conjoin?

Dafoe's Thomas is sketchy from the start too. Throughout the film, Ephraim is constantly both fighting against and being entranced by deadly forces of nature, whether it's the storms or sirens. Genres : Drama, Thriller, Horror Platforms : theater After that scene, he keeps trying to gaslight Ephraim into not trusting reality, getting him constantly plastered, filling his mind with paranoid delusions, and making him question even time itself. "We hammer it home with vaginal keyholes and phallic lumberjack tools and logs," he said.From the Jungian perspective, Thomas and Ephraim could even represent different aspects of the same person's psychology.


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