People from a location will put together phrases in their everyday conversation. We have to be brought into the meaning of those particular paintings before those symbols can start to reveal to us what the artist is talking about.The symbols used by Papunya artists are now a resource shared by Desert communities within a radius of thousands of kilometres. Those early exhibitions were often accompanied with catalogues that contained explanations for a range of the symbols most commonly used.This group of artists from Papunya were using symbols from the Western Desert and the Central Desert traditions. In some ways, these were shared between the artists. It started that way and maintained the emphasis throughout the next four decades. A very important aspect of this art is the use of symbols. At another level, they're just part of the language that the artist uses to tell the story. The concern was that the culture at the heart of Aboriginal law was the most important thing that traditional people owned. These were paintings coming from Papunya community. They're an expansive way of taking meaning and putting it into painting. Various symbols are used by Aboriginal people in their art to preserve their culture and tradition. The tight dot painting that was typical of the Papunya Tula works became a different style, where dots were applied very loosely and were joined up by moving a brush across the canvas. They are also used to depict various stories and are still used today in contemporary Aboriginal Art. Although Australian aboriginal symbols are usually associated with the dot paintings the ancient rock art also incorporate symbols to represent spiritual characters and specific dreamtime stories. The symbols used by Papunya artists are now a resource shared by Desert communities within a radius of thousands of kilometres. These patterns made of fine lines drawn in specific ochre colours can represent elements such as fire and water, and when combined with certain totemic animal designs, all signify which clan the owner belongs to. Getting beyond that is difficult for an outsider, and therefore that meaning belongs to the artists and to her or his immediate clan group who share that story.The symbols are at the core of the painting, and at one level they contain some meaning of the painting. Ideas moved quickly, and some ideas took hold, and other ideas became less important over time.The symbols they used are at the heart of what those early paintings were about. It helped artists to rapidly accommodate new ways of painting, viewing art and incorporating symbols into the kind of narratives that they were telling through their art.In Papunya in those early years of the 1970s, Aboriginal artists had greater access to Western art materials, to canvas and acrylic paint. It wasn't as though you felt you were getting the complete symbolic language from these paintings. A person’s identity is closely linked to the symbols that they use, and this shows their relationship to the Dreaming story that gives their clan its Creation mythology.Video: Sarrita King talks about her Fire Series and use of symbolsAboriginal Art Symbols Used By Damien & Yilpi MarksSource: Information provided to Geoff Small by Damien & Yilpi MarksAustralian Aboriginal Art Symbols and their Meanings© 2020 Japingka Aboriginal Art Gallery. Most of symbols that you see in Aboriginal artworks are commonplace and considered acceptable for public display. Even in the earliest stages of the desert art movement, there was a discussion about the extent to which Dreaming or Tjukurrpa stories should be revealed to outsiders and to the Western world. These symbols have the power to transform any object into a sacred one. It seemed that every artist had their own take on the use of symbols to best represent the stories as they wanted to tell them, or as they were culturally obliged to use them.Water & Lightning Rain Dreaming by Long Jack PhillipusOver time I gained some recognition of the symbols that Central Desert artists were using. Even when the Central Desert movement style moved as far as Balgo in Western Australia there was a change. There are further catalogues supporting exhibitions that also give us insight into how each specific artist uses symbols in their paintings. Symbols are used by Aboriginal people in their art to preserve their culture and tradition. Even in the earliest stages of the desert art movement, there was an argument about the extent to which Dreaming or Tjukurrpa stories should be revealed to outsiders and to the Western world. It was a great accomplishment that the participants were able to negotiate the cultural terrain between the various groups. I came to understand that symbols were from a continuous tradition going back to rock art and sand painting. Often there are information sheets provided that help explain the images in the painting.You might find yourself looking at the artwork and then looking at the information board and taking in the meaning or the story.In my case, this happened in the 1970s when we first started seeing Central Desert artworks at the Art Gallery of Western Australia. The concern was that the culture at the heart of Aboriginal law was the most important thing that traditional people owned.

Symbols are used as the elements of an artwork to tell a story or share knowledge. A more interpretive use of these ancient symbols is warranted.Aboriginal people of the Central and Western Desert use a range of symbols that derive from their hunting and tracking background.

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